Kentville Drums is an Australian company who make and restore drums, and also produces traditionally made heads from ethically sourced kangaroo hides. The heads the company offers are available in standard sizes from 10” through to 24”, and common pre-international sizes (to suit vintage British drums), from 9 5/8” through to 21 5/8”. Odd

These are what I would call ‘proper’ cymbals. They’re ‘proper’ cymbals because they have a look, a feel and a vibe about them; real character, and that’s even before you play them. I love cymbals like that. Just like the Kerope line that came out a few years ago, the Avedis line was designed to

Stainless steel drum kits aren’t exactly new, but it is a fairly new thing for Drum Workshop. The review kit consisted of 12x9” mounted tom, 14x12 and 16x14” floor toms, 22x18 bass drum and a 14x6.5 snare drum. The mounted tom featured DW’s STM mount, while the floor toms were on legs, and all of

A hi hat clutch, hardly the most exciting of things. But, if you’re a gigging drummer you’ll know and appreciate the importance of having solid, reliable and practical gear to make life that little bit easier when you’re playing. As I said, a hi hat clutch is hardly the most exciting piece of equipment on

  I’ve looked at a number of Provenance snare drums over the years, both in metal and wood, and you can read about some of them; HERE; HERE; and HERE. However, Tim from Provenance recently very kindly let me have another drum to look at. Provenance make drums from reclaimed materials, be it wood or

Pro Version mounted internally So I’m not quite sure how this passed me by in terms of not reviewing it sooner as it’s been out for some time, but anyway… The Kelly Shu is an integrated shock mount isolation system for bass drum microphones. It sounds fairly unexciting in that respect, but if you’re

This isn’t so much a review about a specific product as it is highlighting the practical benefits of the lightweight stand options out there at the moment. After fifteen years of using the same stands, and hitting 45 as well, it struck me that I might want to look at my cymbal stand options again.

The concept of capturing the low end from a bass drum has been around for ages and started with people reverse-wiring old audio speakers to try and pick up the sound you can possibly more feel than hear. Over time, this progressed to Yamaha offering a commercial option of this with the Sub Kick some

A classic fit for toms and snare. The new Classic Fit heads are designed to fit older/vintage drums more comfortably. This is because many, if not most, drum shells these days are slightly undersized to allow the head to both seat better and to allow better overall resonance. Remo gave us some coated and clear

In 2016, the Gretsch Renown line was redesigned with working drummers in mind. The kit featured in the video is the configuration in silver oyster pearl; a 24x14 bass drum, 13x9 mounted tom, 16x16 floor tom and a matching 14x6.5 snare. The shells are made from 7 ply maple, with 30 degree bearing edges and